Jason Jacques Gallery
Brief: Jason Jacques Gallery is an American art and design gallery that has dealt in ceramics, antique and contemporary, for over 30 years. It is located at 529 West 20th Street, New York, NY 10011. Gallery Summary Jason Jacques Gallery is an American contemporary art gallery specializing in artists working in clay. Over its thirty-year […]
Deborah Lehman Di Capua
Deborah Lehman Di Capua (b. Miami, Florida) is Executive Director of Fringe Projects, atrailblazer for site-specific work, temporary public art and curator of The Underline, Miami.Deborah is committed to furthering the discipline of public art by presenting new narratives,investigating alternative sites, and creating new ideas at the threshold between art &architecture. Before Fringe, Deborah earned […]
Sybille Welter
I am the Administrator of Public Art and Culture for the City of West Palm Beach. In this role I facilitatea robust art program (ArtLife) in the public and private sectors. The ArtLife programcommissions artists in all stages of their careers to create permanent and temporary artworksthroughout the city’s public spaces. I build cooperative relationships […]
Alice Tippit
ALICE TIPPIT (b. 1975 Independence, KS) lives and works in Chicago, IL. Tippit received anMFA from The School of The Art Institute of Chicago in 2013 and a BFA from The School ofThe Art Institute of Chicago in 2009.Select solo and two-person exhibitions include Palsied Egg Thief (2021), Grice Bench, LosAngeles, CA; Pallid Carrier (2020), […]
A Never-Ending Education
Collector Regan Rohde supports emerging artists and is on a quest to bring new voices to the local arts community As any Floridian knows, there’s ample inspiration to be found in the water. For Regan Rohde, who relocated to West Palm Beach from Chicago two years ago, inspiration struck while she was swimming some morning […]
MODERN LUXURY PALM BEACH
Actor Regan Rohde On Palm Beach’s Upcoming Exhibition Series Arts & Conversations By Rachel Feinblatt | December 1, 2021 | People Lifestyle Actor and longtime collector Regan Rohde shares her excitement regarding Palm Beach’s upcoming exhibition series Arts & Conversations. “Tether” by Michael Henry Hayden at Moskowitz Bayse What do you believe viewers will love most about Arts & […]
Ghislain d’Humières
Throughout his career, Ghislain d’Humières has advanced community engagement and increased access to art at cultural institutions across the country. With extensive expertise in expanding public programming, building and caring for collections, and fundraising, he has led institutions through significant moments of transformation and growth. He joined the Norton Museum of Art as Director and […]
Patron Gallery
PATRON is a contemporary art gallery in Chicago founded in collaboration by Julia Fischbach and Emanuel Aguilar. PATRON is founded on the defining characteristics of a patron of the arts, that is, a person chosen, named or honored as a special guardian, protector or supporter. With this foundation set as a cornerstone, the gallery hopes […]
Firelei Báez Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Beverly Fishman Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Jeffrey Gibson Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Deborah Kass Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Tomokazu Matsuyama Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Mickalene Thomas Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Caroline Kent Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Jennie C. Jones Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Samuel Levi Jones Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Michael Darling Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Joel Straus Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Steven Henry Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Alex Chitty Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Mika Horibuchi Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Liat Yossifor Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Jennifer Armetta Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Sharon Louden Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Joe Reese Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Raheleh Filsoofi Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Edra Soto Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Jovan C. Speller Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Adam Daley Wilson Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Mary Sibande Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Michael Henry Hayden Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Anthony Lepore Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
Anthony Miserendino Bio
When institutions present large exhibitions of iconic, deceased artists, their are
primary objective is often to ask, and answer a comically predictable question: “Why is this artist relevant today?” What generally follows is a battery of claims speeches, press release sand testimonials
