“New York artist, Sharon Louden, considers her animations ‘drawings in space.’ Infused with her keen sense of color and choreography, Louden’s abstractions reach toward representation. As viewers we enter her singular world and live in it as if it were our own. In Carrier she moves back and forth between the natural and the abstract, vanishing, as she says, into infinity at the end. The Dance is clearly that: an artful work of choreography that explores with great economy both drama and spontaneous whimsy.”

— Michael Rush, Director, Eli and Edythe Broad Art Museum at Michigan State University.

Raheleh is a collector of soil and sound, an itinerant artist, feminist curator, and community service advocate. Her work synthesizes socio-political statements as a point of departure and further challenges these fundamental arguments by incorporating ancient and contemporary media such as ceramics, poetry, ambient sound, and video. Her interdisciplinary practices act as an interplay between the literal and figurative contexts of land, ownership, immigration, and border.

Her work has been shown individually and collaboratively both in Iran and the United States, including the recent interactive multimedia solo exhibitions Inh(a/i)bited, an interactive multimedia installation in Spinello Project Gallery in Miami (2020), and The Overview Effect, an interactive Multimedia Installation in Betty Foy Sanders Gallery at Georgia Southern University (2019).  Filsoofi’s ‘Imagined Boundaries’, a multimedia digital installation on border issues, consisting of two separate exhibitions, debuted concurrently in a solo exhibition at the Abad Art Gallery in Tehran and group exhibition (‘Dual Frequency’) at The Art and Culture Center of Hollywood, Florida in 2017.  The installations in each country connected audiences in the U.S. and Iran for few hours in the nights of the show openings. Her multifaceted curatorial project ‘Fold: Art, Metaphor and Practice’, which engaged over 20 artists, scholars, and educators in exhibitions, performances, and lectures over a period of one year in Edinburg and McAllen, Texas, has been a milestone in her professional career.

She has been the recipient of grants and awards, including the South Florida Cultural Consortium Fellowship for Visual and Media Artists funded in part by the National Endowment for the Arts.  She is an Assistant Professor of Ceramics in the Department of Art at Vanderbilt University. She holds an M.F.A. in Fine Arts from Florida Atlantic University and a B.F.A. in Ceramics from Al-Zahra University in Tehran, Iran.

Raheleh Filsoofi has realized the dynamic potential of her discipline in contributing to dialogues of engagement, community building, and inclusiveness.  Her work exists in multiple social and cultural contexts and unfolds itself in research, creative pedagogy, feminist curatorial projects, and community service as noted below. 
Palm Beach Art Gallery
Palm Beach Art Gallery

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